Some thing(s)

Beeler Gallery, Columbus College of Art and Design, Columbus, Ohio 17 November 2022 - 24 February 2023

Exhibition view with Reading the Daily News

 

“. . . the occurrence of a word is the occurrence of an object whose placement always has a point, and whose point always lies before and beyond it.” 

Stanley Cavell, The Senses of Walden, 1972

 

These images from my solo exhibition, Some thing(s), unfold a sampling of the pastel drawings, hand-stitched needlepoints, enameled steel panels and other objects in the show. Some thing(s) included, as well, an open classroom for community programs and my ongoing performance of “Reading the Daily News.” 

Because I care more about how my artworks mean than what they mean, I typically choose words that don’t name objects. METAPHOR is, for example, a figure of speech. DARKNESS describes a condition. The color blue, though recognizable, is not a thing. MOBY DICK is the name of a symbol. NOW is the time.

Among the other works on view, I placed two monuments carved from stone, a flattened cigarette packet, and a discarded cardboard box. Just as every word is formed from the varied shapes of its individual characters, so these objects—whether set on the floor, pinned to a wall, or tucked into a corner—each shape common relations as a singular part to a whole.

METAPHOR, 2022, wool and canvas needlepoint, 8 x 12 inches

Exhibition view

METAPHOR, 2021, enameled steel panel, 24 x 36 inches, 2021; FREE/FORM/FROM/FALL, 2021, pastel on paper, 26 3/4 x 20 3/4 inches each (framed)

FORM (detail) from FREE/FORM/FROM/FALL, 2021, pastel on paper, 26 3/4 x 20 3/4 inches each (framed)

Threshold, 2003-06, carved basalt, 22 1/2 x 36 x 36 inches; STONE/TREE/WATER, 2022, set of three enameled steel panels, sizes vary

SIGMUNDFREUD, 2022, pastel on paper, 38 3/4 x 38 3/4 inches (framed); blue|yellow, 2022, reversible enameled steel panel, 24 x 27 inches

untitled (corner relief), 2021, found cardboard box, 29 x 7 x 13 1/2 inches

untitled (heap), 2022, gathered field stones, approx. 28 x 48 x 36 inches

DARKNESS, 2022, pastel on paper, 26 3/4 x 38 3/4 (framed)

Exhibition view

Exhibition view

THING, 2022, wool and canvas needlepoint, 4 x 15 inches

MOBYDICK, 2022, pastel on paper, 26 3/4 x 38 3/4 inches (framed)

untitled (brick), circa 1995, plasteline and polystyrene, 2 1/4 x 6 1/4 x 3 1/2 inches

Exhibition view with FREE ADMISSION, 2022, latex paint, 16 x 41 1/2 feet (rear wall dimensions)

Reading the Daily News, 2008-ongoing

Reading the Daily News (archive), 2008-ongoing

Reading the Daily News (tally), 2022-23

FREE ADMISSION (detail), 2022, latex wall paint, 16 x 41 /12 feet (overall wall dimensions)

Shine, 2000, cast bronze, 9 x 12 3/4 x 14 3/4 inches; Covenant (first version), 2000, rusted steel, 18 1/4 x 15 1/2 x 15 1/2 inches

Postcards and rack, 2015-ongoing, printed card stock, 7 x 5 inches each

Tablet from Small Monuments (set of ten pieces), 1980-2021, enameled steel, 13 1/4 H x 9 1/4 W inches

Column(s) from Small Monuments (set of ten pieces), 1980-2021, enameled steel, 18 H x 3 W inches (left); 24 H x 7 W inches (right)

Exhibition view

Tower, 2003-06, carved basalt, 40 1/2 x 36 x 36 inches; untitled color samples, enameled steel, 6 x 4 inches each

Through line (partial view), 2022, assorted found objects, approx. 25 1/4 x 17 x 93 1/4 inches (overall); Small monument (one of ten), 1980-2021, enameled steel, sizes vary

SAFE SHEEP, 2011, latex paint and graphite on canvas, 52 x 80 inches (folded)

Exhibition view

Related reading Complementary Exhibits in CCAD's Beeler Gallery Show the Power of Words, by Nancy Gilson in the Columbus Dispatch (December 11, 2022) Some thing(s): new and recent artwork by Michael Mercil (Beeler Gallery website) Watch: Live Reading of the Columbus Dispatch Featured in Art Exhibit, by Erica Thompson in the Columbus Dispatch (February 14, 2023)